Chad Leonard smiling at his workbench, standing in front of a pegboard wall hung with rolls of tape and shop tools.

Chad Leonard

Visual merchandising production artist, building windows and floor sets for Nordstrom flagship stores in Seattle and New York.

Every display in this portfolio was built full-scale, installed by hand, and taken down a few weeks later to make room for the next one.

For the last seven years I've worked as a production artist across Nordstrom's flagship stores in Seattle and New York, turning design concepts into physical builds: stone, fabric, foil, timber, paper, whatever the season calls for. This is a working record of that build, plate by plate.

A brick-tiled archway wrapped in moss and trailing greenery, framing an entrance display with two mannequins.

A tiled archway wrapped in moss and greenery, built to frame the entrance rather than sit behind it.

Ten builds, 2021 through 2026.

A window display with three mannequins in front of a two-panel woven tapestry in orange, blue, and cream.
2021

A tufted color-block backdrop, built as two hanging panels so it could frame the window without competing with the coats and knitwear staged in front of it.

A wall of layered circular forms in muted painted tones, with a central circular cutout around two mannequins in orange and yellow suits.
2022

A field of layered circles in brushed and painted finishes, funneling down to a single porthole around the season's suiting.

A mannequin in a pink tulle dress standing among paper roses and hanging bulbs against a pink background.
2023

Paper roses and pendant bulbs, built for a store initiative on cutting down display waste, shown here in the daytime pass.

A mannequin in cream loungewear standing among sketched wire roses and hanging bulbs against a terracotta background.
2023

The same install, second pass: wire-outline roses and bulbs against a warmer ground, built from reclaimed shop stock.

A ceiling-hung array of turned wooden rods at staggered heights, with a mannequin suspended among them.
2024

A suspended field of turned wooden rods hung at staggered heights, with a single figure threaded through the middle of it.

A stack of balanced stone forms beside two mannequins on a dark platform.
2024

A cantilevered stack of stone forms holding the eye before it drops to the garments, the most purely sculptural build of the year.

Chad Leonard in the shop wearing safety glasses and a respirator, carving a large block of foam with a hot-wire tool.
In the shop

Before any of it reaches the floor, it starts here: cutting and shaping raw stock to size, one block at a time.

Bags, shoes, and boots staged on raw quarried-stone risers beside an escalator.
2024

Quarried-stone risers doubling as plinths for the accessories wall, playing raw stone against cast leather.

Tall cloud-printed panels suspended in a bright, open selling floor, with mannequins in coats standing between them.
2025

Cloud-printed panels hung between floor and ceiling grid, breaking a wide-open selling floor into a walk-through installation.

Heat-sculpted metallic Sintra stretched behind glass in a storefront window, with mannequins in black dresses and the street reflected in the glass.
2026

Metallic Sintra, heat-sculpted and stretched taut behind the glass, catching the street outside as much as the dresses inside.

Chad Leonard

Based in New York. Available for production and install work on windows, floor sets, and full-store campaigns.

clnard93@gmail.com
Visual merchandising since 2021 Portfolio